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Cast | Classic Lines | Mini Review |
News | Notes | Pictures |
Summary from Video Box | My Summary | My Review
| Character | Actor |
| Henry Wooten | Malcolm McDowell |
| Detective Giatti | Ron Lea |
| Bea Conni | Jennifer Nitsch |
| Christine | Karen Cliche |
| Louis/Dorian | Ethan Erickson |
| Sybil | Amy Sloan |
| James | Carl Alacchi |
| Trina Rausch | Bronwen Booth |
| Cop at Crime Scene | Henri Pardoo |
| Woman #1 at Dorian's Loft | Daniela Ferrera |
| Woman #2 at Dorian's Loft | Jane McLean |
| Dinah Baker | Ellen David |
| Mariella Steiner | Victoria Sanchez |
| Rolf Steiner | Christoph Waltz |
Directed by Allan A. Goldstein
Written by Oscar Wilde
All by Henry Wooten
"Being natural is just a pose and the most irritating one I
know."
"Do not think. Intellect destroys the harmony of any face. Beauty is a form
of genius, it needs no explanation."
"Age makes me rather sad. By 50 every man has the face he deserves, how's
that for terrifying?"
"Decadence fascinates me."
"Art is a sickness. Love is an illusion."
"What did the poet say? Shove it where the sun don't shine."
"We're not sent into the world to air our moral prejudices."
"Reveal the art, conceal the artist. That's the trick."
"Death is the only thing that terrifies me. I hate it."
It has a modest budget with a smart producer who sacrificed the exterior locations and most of FX for the sake of getting great visuals. Even though only a few sets are used they are all magnificent. Almost the whole film takes place in a few apartments, rooms, studios and houses. A few scenes are on some seedy street and in a limousine, but that's about it. It was a wise decision. Some computer-generated stylized images of a 'big city" are used between the scenes and it works to give the movie a slightly otherworldly feel. It has nice dialogue, some claim to 'artsiness' with Malcolm narrating. It has rich and lavish visuals, an insight into the fashion business and basically all people in the film look gorgeous. There is a dirty street junkie, and an ordinary police detective, and that's it. The rest of the cast is polished, sophisticated and clothed in designer outfits. Eye candy, in short. Malcolm walks like a young, cocky guy. He behaves in that way.
"Dorian is a bit of a sore spot. It was potentially a really good movie, but Malcolm has never seen it. Malcolm was never paid for the performance or at least not fully paid. The producer, Luciano Lisi screwed him. It is not supposed to be released without the final payments being made, so the DVDs shouldn't be out. Malcolm enjoyed the making of the film, it was a small budget but the whole experience was ruined by Luciano. It has never happened to Malcolm in all of his career. It was a bad situation." - The Insider.
Moonstone recently announced an alliance with horror director Tobe Hooper to collaborate on the dark comedy "Planning Lawrence Fankhauser's Death." The first picture under the deal is Robert Louis Stevenson's "Dr. Jekyll and Mr. Hyde," to be written and directed by Allan A. Goldstein. Goldstein most recently directed the thriller "Dorian," an adaptation of "The Portrait of Dorian Gray," starring Malcolm McDowell.
Filmed in Quebec, Canada and the UK by Cinema 4 Films Inc. in 2001.
This is an independent film which is distributed by Moonstone.
A bootleg showed up in Russia 3/03 before anywhere else.
Released in the UK as 'Pact with the Devil' in 8/03 - most likely a bootleg.
Released on DVD in Hong Kong in 9/03 by Universal Laser & Video Co. This is a professional release in Dolby Digital, Region 0, with animated menus, trailer and Chinese subtitles - not a cheap bootleg.
89 minutes, Rated R. Dolby Digital
In memory of Glenn Tussman 1967-2002
Screen shots in order of appearance
Malcolm's
screen credit
Henry during the police interview
Henry at the Sauvage shoot
Henry
sneaking off some photos
Henry making the bargain with Dorian
Henry
secretly photographing Dorian
Henry with Dorian at the release party
Henry rips into Dorian about wanting to play
Henry laughing at Dorian
Henry eyeing up the next victim
Memorabilia
Hong
Kong DVD Cover - Front
Hong Kong DVD Cover - Back
Hong Kong DVD
Russian
VCD/DVD Covers
From the bootleg Russian Release!
A new mystical thriller adapted from the famous book by Oscar Wilde. The intriguing plot and the fabulous performance of the magnificent Malcolm McDowell won't leave any fan of the genre cold. Dorian Gray, a young ambitious man dreaming of a big career in the fashion business, strikes a bargain with the Devil himself. The bargain will allow him to keep his youthful handsomeness forever. With the help of his powerful patron Dorian gets everything he could ever wish for - money, fame and fortune, gorgeous women and eternal youth! But is he ready to pay the price set by the Devil? Louis is a photographer's assistant. A simply beautiful young man with beautifully simple dreams...until he meets Henry. Henry convinces Louis to sell his soul so hat fame, fortune and eternal youth could all be his. An innocent Louis converts to Dorian, a self-centered, self indulgent, self destructive, forever gorgeous, super model. Its grotesque disfiguring reflects every unconscionable act born out of Doran. Trapped inside Dorian's flawless body, Louis wants out. But a pact is a pact. And escape is impossible.
The story begins in the modern day at a crime scene in a New York City loft.
There are lots of quick glimpses at the streets below and the
detectives doing their work on the scene, bloody prints, collecting evidence,
etc. Detective Giatti sits down with Henry Wooten on the scene because Henry
knew both of the victims. He explains he knew them since they first met.
The story then goes back to June 1980. Bea is the hottest
photographer around and Henry was her manager. They are shooting an ad campaign
for a new perfume called Sauvage - the scent that drives your lover wild. Henry
notices Louis who is a gopher after he serves a model the wrong drink and she
freaks on him. Bea
continues to take many pictures of scantily clad models in a jungle setting.
Henry likes what he sees and takes his own pictures behind her. When one of the
models waves to Henry she trips over a light cord. Louis dives to catch it and
Henry photographs him noticing there is something to him. Then Henry shows the
police detective the broken picture he shot.
Back to 1980. Henry goes over to talk to Louis and finds out
he is also a photographer who only took the job to make extra money. Henry would
like to see his work, but he isn't in any gallery. Henry wonders about him and
explains his philosophies. Bea hears this and comes over and tells Louis not to
pay any attention to him. Louis goes to leave and Henry tells him he should try
being in front of the camera.
Henry hears Louis has a girlfriend he is planning to marry
and follows them taking their pictures as he doesn't believe in marriage for
artists. He follows them to their apartment where James the junkie is in front
hitting them up for money and when Henry sees Louis' girlfriend Sybil trying to close the window he continues to
take pictures. They start to make out and he removes her shirt and bra as Henry
snaps away.
Henry shows his pictures of Louis to Nino who owns Sauvage
and they both agree he is the face they want. With a little persuading of Bea
and lots of pushing of Louis he agrees. They have a shoot at the same studio soon
after. Louis is all stiff at first and falls down. Henry takes him upstairs and
gives him a drink and relaxes him. He tells him he wants to make him a super
model, then he can become a photographer or whatever he wants. Louis then goes
back down and gets into it. He is a natural. Henry takes one final picture of
them after the shoot.
Bea blows up the picture Henry took and invites Louis over to
his place for drinks. Henry makes the deal with Nino and Louis is the new face of
Sauvage. Henry tells him Bea took the picture and really captured something
there. He talks of age and beauty and says he is like Dorian from the Oscar
Wilde play. Louis doesn't know the play. Henry explains that Dorian was beautiful
and an artist painted his picture. Dorian wishes he could always be like the
person in the picture. He makes a deal that he will never age, only the picture
will. Louis likes the idea and Henry says then he is the new Dorian. He tells
him that should be his model name. Louis thinks it is a bit pretentious, but
likes it.
Back at Louis' apartment Sybil is asleep when he returns. He
gets himself a longneck beer and thinks about what Henry told him about age and
cursing the picture when he gets older. He goes to pop the cap off and cuts his
thumb. He remembers what Henry said about Dorian and writes the name
"Dorian" in blood on his mirror and says it is a deal. Henry hears him
from across the town and says it is a bargain and it is forever.
Soon after Henry takes Dorian to the big premiere for Sauvage.
It is at a trendy disco club with women in cages and a wild dance party.
Sybil is across the club and is miserable. She tries to come over and get
Dorians'
attention, but cannot. Trina comes over and comes on to Dorian, but Henry blows
her off for him. Dorian isn't sure of that and when Sybil sees this she heads
for the exit. Henry points her out to Dorian and he runs over to her. She wants
out of it, but he tells her it is OK and he loves her. They kiss and leave
together.
The next day Dorian wants to take Sybil away. She doesn't
like it and he wants to be a photographer. Henry tells him not to think of it
because he has momentum and he can't squander it. He is on a roll, but Dorian
admits he doesn't know what he wants. Henry says that is what he is there for
and gives him the keys to his new Manhattan loft on the top floor right above
them. He thinks Sybil will love it.
He returns to Sybil and she hates the idea. She doesn't want
to move and doesn't like they way he is being treated. He tells her to come and
look at it. If she won't do that at least she should go with him to Henry's apartment for a
party. It's after midnight and she doesn't want to go. He wants to know why she
would want to stay in junkie infested place like this. She yells at him
that she isn't shooting up again and that he is selling out everything he
believes in and belongs with the uptown jerks he has become. He pushes her away
and she hits the wall and breaks a picture frame. He goes to apologize, but she
won't hear it and wants him out. He leaves. Sybil cries and Henry watches
knowing it is over.
Dorian arrives at Henry's and only Trina is there. She tells
him Henry has left and the place is all theirs for the night. She takes him off
to seduce him and Henry watches from the balcony. Meanwhile Sybil is crying and
James comes up with a joint and some good heroin he scored. He gives her some to
take a hit and she ties the tube around her arm and shoots up and passes out.
The next day Dorian takes a cab back home and James is being
arrested. Dorian finds out she OD'ed on the drugs. Dorian flips and Henry shows
up to take control. He tells the official in charge that he is his manager and
doesn't want this to get out. He agrees to write it up as another OD. Henry
tells Dorian to get his stuff and he'll take him to the new loft. Dorian goes upstairs
crying and notices his picture has now aged a bit. He grabs it and wraps it and
runs out. The picture is the only thing he is taking with him.
Back in the present the detective is surprised to hear Dorian
thinks the picture really aged. Henry explains that Dorian threw himself into
his work and they were very busy and had lots of fun, but he became harder
to manage. Then the story jumps ahead
to September 1990. Henry goes to Dorian's loft and he is half dressed and
snorting coke. He was supposed to be at the studio two hours ago and now the
shoot is cancelled. Dorian says he needs a shower and as Henry waits two
scantily clad women come running out. Henry says he is worried about him because
he is partying too much. Dorian says he is in great shape and there is nothing
wrong with how he looks. Dorian says if he wants to know what is wrong to follow
him. He takes him to a mirror and pulls it back to reveal his photograph. The
photograph has now distorted and is all cut. Henry asks him what he wants and
tells him he can have anything if he is willing to play. He can go to the top. He
agrees. Henry tells him he has a big project for him. His life story in
photographs as long as Bea is the photographer.
They go to meet her and Henry convinces Bea that all the
artistic decisions will be hers and Dorians' with no outside interference. She
agrees and they begin working together. She goes to his place and photographs
him in every way bringing out the real Louis. Bea asks him what he wants. He
says he wants to be a photographer when he is ready. Henry will let him know
what that is. She thinks he has no dreams, just Henry's dreams. She wants him to
be careful and be in charge of his life, not what Henry wants. She comes on to
him in hopes of bringing him out of Henry's grasp and they become lovers.
After the book is finished Dorian tells Henry he is in love
with Bea and he wants to marry her. Henry thinks he has lost his mind. He'll
show him why that won't work. He opens up the picture and says that is the real
Dorian. She'll need to see the picture if she wants to know the real him. He
goes to call her up, but Dorian stops him. Dorian wants to be ordinary. Henry
says he can make that happen and grabs a knife. He heads for the picture and
tells him that'll be his face, but Dorian punches him and grabs the knife. Henry
isn't mad and agrees to handle Bea for him.
The next night is the premiere party for the book and Diane
the publisher is thrilled. Henry won't take credit for the book though she
thinks he should. Trina sees
Dorian for the first time in years and has now aged considerably. He tells her
that Bea was just a fling and when Bea hears that she leaves. Henry introduces
Dorian to Mariella, the wife of a rich European businessman Rolf Steiner. Dorian
is enchanted and offers to show her the town. She agrees since her husband is
coming. Dorian leaves with them in their limo.
Henry goes to Dorian's loft the next day, but he is not
there. He checks the picture and that is gone too. Dorian calls him to say he
is taking a vacation to Germany with Mariella and Rolf. Dorian says they have a
contract and he has a screen test the next week and can't go. Back to the
present Henry tells him he walked out on him even if he did have power of
attorney.
Dorian lived in Bavaria for a few years like a gigolo. He
would make love to Mariella while Rolf watched by hidden camera. We learn she
even seduced him in the limo on that first night while Rolf was supposed to be
knocked out. One day Rolf decides he wants Dorian out and shows Mariella the
hidden tapes of them having sex. She refuses to throw him out, but Rolf is in
charge. Rolf brings Dorian in and shows him the tapes too and when he turns the
sound on Dorian gets mad. He tells Rolf he is going to leave with Mariella. Rolf
says she'll never leave him, but she does because she is sick of him trying to
control her. Before they can get out Rolf pulls a gun on her. Dorian grabs it
and they struggle. The gun goes off and Rolf gets shot and dies and Dorian
thinks he sees Henry. Mariella freaks out and asks Dorian what to do. Dorian is
in his room with his picture which is now hideously deformed and bleeding. When
he tells her that is him in the picture she runs away. He chases her down the
stairs and grabs her. She loses her footing and falls down the rest of the way
and breaks her neck. He goes back to destroy the picture, but can't do it.
Back in the present Henry says he took off from there and
never heard from him again during the last 10 years. He never contacted Bea
either and he went from one flesh fantasy to another spiraling out of control.
He even wound up in a sex scandal in Bangkok. Then a week ago Bea had a big
retrospective of her work and Henry held a party for her at his house.
During the party Dorian shows up and Diana, Bea and Trina are
there. All of them have aged and Dorian still looks the same. Trina is mad at
him for looking so good. Henry invites him out for a drink, but he refuses. He
went back to his loft and cleaned the place up and is staying there. Henry
leaves to take Trina and Diana home. Dorian asks Bea if he can borrow all the
proofs she ever shot of him for something important. She agrees even though he
won't say what he wants them for. On the way out Dorian runs into a
photographer. It is James their old junkie neighbor. Dorian flips out because he
thinks he killed Sybil. He says it wasn't him. She only flipped out after Henry came
by and even paid for her drugs.
The next day Dorian takes all of Bea's pictures back to his
apartment and burns them while trashing the place and everything in it. He
destroys all of his stuff, the pictures and paints all over the walls.
No one hears from him for a while and Bea gets worried. Henry
gives her his spare key and she goes over to see him. She calls for him and he
pops out from behind the counter all a mess. The place is all hot and dark and
she goes to let some light in and he flips out and grabs her. She smacks him and
sees he ruined her pictures of him. She runs away and he shows her his picture
which is now a complete mutation. He wants her to look at her work. He tells her
it wasn't hers, Henry took the picture. She also says he wasn't the first. She
too sold her soul for her art. She wants to set him free and goes to stab the
picture, but he stops her. He throws her down and cuts her throat.
Henry calls to find out what happened and gets nowhere. He
then goes to visit Dorian looking for Bea. Dorian asks Henry if he went to see
Sybil the night she died. He says, "Did I?" Dorian points out Bea to
him on the floor in the corner. He says he had no choice because she was going to
cut his picture. Henry says that was wise because if the picture dies, then he
dies. Dorian asks if he is going to call the police. He says he won't because
they have a contract that goes on forever. He says he has the whole world, but
no soul. He is perfect and unchanged after all this time. He has no talent and
hasn't created anything, his life is his art. Dorian doesn't know what to think.
He sees Henry near his painting with the knife and runs after him. He grabs the
knife and winds up stabbing himself in the gut. After that he takes the knife
and jams it into the painting. He falls to the floor and morphs into the monster
in the picture. Henry calls for an ambulance.
Back in the present the detective asks to see the picture and
Henry takes him over to it. The picture is now exactly like it looked on the
first day. The detective is shocked how it looks compared to the monster they
found there dead. The detective says they can wrap it up and leaves wishing him
a happy new year.
The next day Henry takes the picture and puts it in a taxi
cab paying the driver to deliver it to his doorman. He does this since he has
spotted a new young man moving into the neighborhood and follows him down the
street into a restaurant.
When you see a Malcolm movie there are three main
things you want - a great story, tons of Malcolm and his character isn't killed
off early. In Dorian you get them all in spades. Since this film is an adaptation of a
play it really only has two main characters - Dorian and Henry. Henry is the
devil. They never come out and say it, he doesn't have pointy horns or anything
dopey and cliché, but we know who he is. The closest they ever get is showing
him in his house with a large fireplace raging behind him. Subtle and effective.
This film reminds me of Night Train to Venice where Malcolm
is mysterious and in charge of all that happens. While that film is dark and messy
this film is bright and smart. It takes place in modern day New York and is told
in flashback. Henry tells the detective what happened at the crime scene.
Whether the film is 2002, 1990 or 1980 Malcolm looks the same. He and Dorian do
not have to undergo any extensive aging makeup like the other characters. Henry
is always old and Dorian is always young until the last minute.
It starts out a bit messy. High speed shots and lots of
blurry cuts like it is in a dream. This got me worried, but that style quickly
went away and never returned, thankfully. Like in the movie Tempo they used high
speed shots of the city to show transition. Here all those shots took place in
Times Square New York City and work well. This also makes it easier to believe
that the rest of the film takes place in New York even though it was all filmed
in Canada.
One very cool thing is that the 1980 sequence ends with a
helicopter shot over the Brooklyn Bridge that stops on the World Trade Center.
This is a beautiful tribute since the film was made in 2001 and was one of the
last films to film the buildings and maybe one of the only to be released with
them intact after they were destroyed. Of course the antenna was brand new in
1980 and didn't look like it did in 2001. The WTC was also shown in a night time
shot during the 1990 sequence.
The director was also smart to keep a limited setting so while
the film is really a period piece it isn't concerned with the trends of the day.
We aren't deluged in the styles. Because it is about models it is
easy to get around this. They wear outlandish clothes for the shoot anyway. When
Henry and Dorian go to a club the people are all dancing and moving around so
there is no way to focus in if they are wearing correct 80s styles. Henry wears
suits so he fits in to any time period.
The soundtrack is loaded with trendy underground styles of
trance, dance and rap. It is loud and in your face at times, but doesn't
overwhelm or turn the film into a music video. The soundtrack has a Matrix feel
to it and works well. New York is well known for it's music after all.
For a film about eternal beauty and limitless pleasure it is
totally surprising that there is no nudity. When Henry watches Louis and Sybill
he takes her bra off, but keeps her pressed close to him so nothing is shown.
This continues in every sexual encounter. Skin is shown from different angles,
but no private parts are shown on any of the women. I wonder what the reason
was. Maybe to keep the film from heading down an erotic or softcore path?
This was Ethan's first role and he pulls it off well, even
though he doesn't exactly have to carry the film. He is totally believable as
the pretty boy who seems to have it all, but really has nothing. It goes without saying
that Malcolm steals all the scenes here. He plays it very suave and
sophisticated. All those around him believe he is the perfect gentleman. Only Bea
knows the whole truth. When he is alone with Dorian he unleashes his passion. At
times he nearly explodes with energy while not moving. It is like a powerful
punch that cocks back, lashes forward and strikes. It is very cool to watch.
He'll be at a normal level and then slam forward with a line like, "Do you
want to play the game??" that is delivered with great force. It is not out
of rage or anger, just emotion and works perfectly. It depended on what Dorian
needed to hear at the time to keep him motivated and it was exciting because you
never knew how he would deliver the lines.
Nitpicks include the bloody hand prints on the wall of
Dorian's apartment in the beginning. They were those totally fake only seen in
movies full flat hand prints. This is not possible because the shape of the palm
is not flat. Cover your hand with paint and push it against a canvas. It is not
possible to get a full print because the middle of the palm will never touch.
Also when Dorian made his deal by writing Dorian on the mirror in blood the
blood was thick and bright red. Real blood is thin and darker. When it dried it
stayed a bright thick red which was extra ridiculous. It looked like strawberry
jam.
One perplexing part was the whole scene between Dorian,
Mariella and Rolf. She seduces Dorian in the limo while Rolf is supposed to be
asleep, but he isn't. Dorian then goes back to Germany with them. Dorian
continues to sleep with Mariella while Rolf watches by camera for years we are
told. Then one day he
tells Mariella that it is over and shows her and Dorian the footage. Was he
tired of watching her? Was he just messing with her mind by saying there is
nothing you can possess which he can't take away? Did she and Dorian really
think he could move in with them and no one would suspect anything? What else
would happen when you bring an unemployed pretty boy into your house? This was the
one big scene of Dorian out on his own, yet it was confusing in its meaning.
Nitpicks aside this was a great film and a role that Malcolm
was born to play. If you think that is pushing it then it is a role he has
perfected. Malcolm narrated or has the narrative voice throughout which like
ACO, Gangster No. 1 and The Barber means it is an extra special film. I would
love to see Malcolm do this play live on Broadway. It is a near perfect film and
it is a real shame that films like this and Assassin of the Tsar don't get proper big
screen releases so the masses can see how great an actor he is. Instead they are
made, almost forgotten and barely released in small markets around the world. It
is also fun to see Malcolm as a photographer. He grabs the camera and shoots
madly, like a pro. The only problem was that it was too short. I could've gone for more
of everything.
More sex, violence, evil, addiction, affliction - you name it. Henry says Dorian
went to the depths of hell. Oh yeah? let's really see it. Show how that
lifestyle can destroy a person.
Rating: 9.25/10
This page © 2002-08 Alex D. Thrawn for www.MalcolmMcDowell.net